Voiceover casting through 80+ talent agencies.

You set the due date, and agents work to it. Most casting calls start getting submissions within 2–4 hours regardless of the deadline, so if you need a full turnaround the same day, that’s available. For urgent projects, check “Need Auditions ASAP” when creating your project and agents will prioritize your casting call.

As many as you want. You set the audition limit per talent agency when creating your project. Most clients land around 100 auditions per role, but you’re in complete control — with 80+ talent agencies you can adjust the limits to get exactly the volume you need.

Those are pay-to-play platforms where anyone can submit. We work exclusively with professional talent agents who pre-screen submissions, so you get 50–100 curated auditions instead of 300 random ones. The agents do the quality control, so you don’t waste time on submissions that don’t match your specs.

No. We don’t charge actors anything to audition. Direct-to-actor platforms charge actors monthly subscription fees, which gives those platforms every reason to let anyone audition — not just qualified talent. We charge you a flat $450 project fee, so our incentive is delivering auditions you can actually use.

It’s a flat $450 per project and you can cast as many voiceover roles as you need within it. A radio campaign needing announcer, mother, daughter and father is still $450 total.

On-camera is also $450 per project and includes up to 10 roles — in practice nobody has come close to that limit.

Yes. You specify union (SAG-AFTRA), non-union, or both when creating your casting call, and agents submit accordingly. Many of our talent agencies represent both, so you’ll get submissions appropriate to your project.

No. Most producers pick a handful — by city, by language, or the agents they already work with — and each agency’s details are there to make the choice easy. If you’d rather cast the widest net, you can invite all 80+ with a single click, and any agency without a good match simply won’t submit.

Yes. You get one shareable link anyone can open with no login. Team members can listen, leave comments, and favorite auditions. You keep admin control and can see who has listened to what — useful for getting feedback from creative directors, copywriters and clients without email chains.

Absolutely. Once you’ve cast talent through Select Casting you have their contact information and their agent’s details, so you can book them directly next time — or run another casting call if you want options. Many producers build ongoing relationships with talent they find this way.

Yes. Through our sister company Studio Awesome, which is based in Hollywood. We offer integrated cast-record-mix packages covering the casting call, the recording session, and full audio post. You can also use Select Casting purely for casting and work with your own studio.

You aren’t invoiced. We bill after the project rather than up front, so if you don’t receive enough qualified auditions to make a selection, there’s nothing to pay and nothing to claim back.

This is exceedingly rare. When auditions do come up short, the cause is almost always too few talent agencies invited — and that can be fixed while the casting is still open, by widening the invite and giving the agents another day.